Arnold Schoenberg, “Five Pieces for Orchestra” (1909)

Most widely known for his innovations in “atonality”—which, in its broadest sense, is music that lacks a tonal center, or key—Arnold Schoenberg’s turn-of-the-century compositions capture the anxieties, uncertainties, tensions, and upheavals of Europe’s fin-de-siecle period.

The following is a recording of Schoenberg’s 1909 composition.

 

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